Sunday, September 22, 2013

Le Tour du Jour: My Day at the Tour de France



These Were Placed Everywhere Along the Route -- Can You Make It Out
(photo Drew Smith)
Tarascon, France, July 4th, 2013 -- Bonjour! Today began as a glorious French morning in Tarascon -- a small ancient village along the Rhone River marking the gateway to Provence, a region in the South of France, along the Mediterranean Sea.

It is appropriate to celebrate our Independence Day in France since-- lest we forget -- without France we would have unlikely won our independence in the first place. Instead of American Flags, the posts and buildings were covered with yellow for -- what else -- the Tour de France.

Hotel de Provence, Our Hotel , Bathed in Mediterranean Light and On the Path of Le Tour
But this is not just any Tour... this is the 100th Anniversary of the Tour de France, and it was coming just too close to us and our Spanish Hemingway travels not to experience. 

We Awoke to Sounds of Street Sweepers and Tow Trucks Outside My Hotel Room, Clearing the Streets for the Race
(notice the yellow "arrow sign" to the right of the planter -- that is for the cyclists)
I am a fan. This time of the year my family knows better than to pry me away from the tv during the nightly replays. I like the drama and the human stories and the French countryside and the history of it all.

My Morning Newspaper -- "They Are Here!"
Besides, Ernest Hemingway was an avid fan of cycling races. When he lived in France he once wrote a little about some riders taking part in the tour, and cycling was his real love as a spectator before he discovered the Bull Fights. I wonder how famous the Tour would be today if he had focused on it instead of having his head turned at Pamplona.

Our Awesome Room and Balcony
Unfortunately, I forgot to pack my US Flag, which I was intending to unfurl on the large balcony you see above as the riders passed us by. It was also going to be how people back home would identify us from the helicopter shots. I knew from years of watching that, on July 4th, the helicopters always focus on the US Flags in the crowd... Oh well. Maybe next time.  Absent the flag, I decided that we would watch the greatest cycling event in the world the way they do it in France.

First, A French Breakfast (Nutella, Madeleine, Croissant, Cheese, Prosciutto, of course)
Have you ever wondered how the French watch Le Tour? They find a cafe, put it on the television, stake out a position on the route from which they can see it, and then go back to their table after the bikers go through and watch the rest of it on French TV. 

All the Talk in the Paper and in the Cafes were of the French Riders

Dad & the Owner Looking at a Map
We Found Our Cafe & Staked It Out
After eating a wonderful French Provencial breakfast, we asked around for the best spot. The owner of the hotel suggested where the "S Curve" goes through town, because there they would have to "slow down" and we might catch a glimpse of the Maillot Jaune or the Yellow Jersey. We had all day, since they would not be coming through until about 2pm. We staked out our position around lunch time, just before the fun began.

Our View of the Straight Away After the S Curve, Before the Race
(photo Drew Smith)
The First Sign of the Tour is the "Parade" of Sponsors and Others Coming Through with Interesting Cars Throwing Out Goodies to Everyone on the Street Like Santa Throwing Candy -- visors, t shirts, wrist bands, newspapers, food, you name it.... They Would Stop and Dance and Sing for the Crowd... It was fun!




A bottle of local wine, cheese, and fresh French bread being served with the Tour Special -- in our case the Beef Bourguignon- ooh la la!

As we drank and ate, and drank and ate, I would go inside join others to check out the progress of the race on TV, as it headed towards us from the town of Aix En Provence on its way to Montpelier -- the end of Stage Six .   I found one person (yes one) who understood English, and one waiter who sort of understood my broken French sometimes, maybe. Note to self -- study harder before going back. 

The big news was about the French rider that had fallen in a bad accident and gotten too far behind... it was even rumored that he was getting out. He was the Great French Hope of that year (there is one every year).

Waiting Between Parades of Sponsor Cars -- Dad is Behind the Hedge-It was Actually Packed
(photo Drew Smith)
As the crowds continue to build, I slip in and out (between sips of French wine) to watch on French television as they get closer. I ask the one Frenchman who speaks English and he says it is close now. 
This Was Clearly The Favorite Team of This Crowd -- So We Joined In
We go to the curb and find a spot, getting ready for the first signs of their approachment... and here it is. The French Police come through first, followed by the media vans and busses, including the big trucks with the Satellite Dishes, and we begin to hear the helicopter overhead. 

About this time, I am really sad I did not bring the flag. Then the motorcycles come (with the cameras), and you know it is close. The crowds move in, and I notice my French friend speaking English, but it is to someone else, a girl standing next to me. Hmnnn... but too late now to make introductions, they are almost here! 

The Police Came First to Clear the Route
(photo Drew Smith)

The Motorcycles with the Cameras
(Photo Drew Smith)
And then the first rider came and then...whoosh... S Curve or No curve, they road by just inches away in a swoosh of multi-colored jerseys that almost blended together. I searched for the Yellow Jersey and quickly caught it -- good. And they were gone. Yep, just that fast. The S Curve? HA! No challenge at all.

The Breakaway! (All Bike Race Photos Drew Smith)







Playing Catch-up After a Crash-The Last Rider (photo Drew Smith)

(Photo Drew Smith)
This was followed by all the Team Cars and Coaches... and the crowd seemed to cheer some of their favorite teams on even when the bikers were already gone. We heard the helicopter slowly fly away, and there was a rumor of someone who had crashed trying to catch up. Finally he came by, and that was it. He was followed, much more slowly comparatively, by what I would say were 20-25 bikers who were following the route but were not professionals. Some looked even older than me...lol.

(Drew Smith Photo)
Later, Drew would find and download on Facebook the official video of them going through Tarascon, and you can see my bright orange shirt standing next to Dad as I cheered them on. Even that was a split second. 
You see a summary of Stage Six at this link and at 1:21 you can see my orange shirt cheering them on (if you have a really good computer...look fast too lol). Here is: http://www.dailymotion.com/video/x11j9u8_en-summary-stage-6-aix-en-provence-montpellier_sport?start=9 Like I said, you have to really look fast. Even I have a hard time seeing me and I know where I am. But it is a good review of Stage Six anyway.

See the Green Hand on the Left Under the Lamp?
I am Over There Somewhere (photo Drew Smith)

On Their Way to Montpelier
(photo Drew Smith)
This is why they say if you want to see the riders up close, you had better head for the Pyrenees. Unfortunately, that was not an option on this trip. Maybe next time.

The French Fulbright Teacher, Far Left, & our Two Arkansas Expat Ft Smith Friends in the Middle!
(photo Drew Smith)
As we were about to head back to the Cafe and the wine, I remembered the English speaking tourist standing next to me. She had an accent. She had a Southern accent. She looked at me at the same time with the same thought..."where are you from?" she asked. "The US" I replied. "Really, so are we, what state?" "Arkansas"... "NOOOO WAY!!!" she nearly yelled, "so are we!!!!!!!! Ft. Smith!"

Remember the Frenchman in the cafe who spoke English? It turns out that he is a Fulbright Scholar and was their teacher at UA Ft. Smith, and they were with him staying at his home to watch the tour. 

We talked for awhile, took pictures with everyone's phones, and I wished them a Happy 4th, expressing relief to find another American on our greatest holiday. They had completely forgotten what day it was... so my patriotic duty was to remind them, of course. It was easy to forget, to be sure. They agreed the flag would have been a great idea.

Crossing the Rhone -- What Most of You Saw from the Helicopter (Drew Smith Photo)
What are the odds that out of thousands of people that day, lining the routes of the Tour de France, that the only three people we met who even spoke English much less were from the US, much less Arkansas, just happened to be standing right next to us!? 

The Tarascon Skyline on the Day of Stage Six (Drew Smith Photo)
The Fulbright Scholar had just returned to his hometown and, he said, wanted to show them how to watch the Tour de France "the French way," at the local cafe.

(Drew Smith Photo)
So, just another 4th, with a couple of Arkansans, in a village in the South of France, with thousands of others on the 100th Anniversary of the Tour de France, celebrating Independence Day, the Arkansas Expat en France way!

Next up? Tarascon is also the home of St. Martha, and she is buried here. I have some incredible photography of her tomb and her church, as well as castles, and a Roman aqueduct (pictures courtesy of Drew Smith).

Until then, Au Revoir!

Thursday, September 5, 2013

The 18 Books Hemingway Would Give $1 million to Be Able to Read Again for the "First Time"


18 (Free) Books Ernest Hemingway Wished He Could Read Again for the First Time

461px-Hemingway_portrait
In the 1930s, Ernest Hemingway wrote a series of short pieces for Esquiremagazine called the “Key West Letters.” One of those pieces, the 1935 “Remembering Shooting-Flying” has an interesting premise—Hemingway claims that remembering and writing about shooting are more pleasurable than shooting itself. Or at least that he’d rather remember shooting pheasant than actually shoot clay pigeons. In the next paragraph, this nostalgia for good shooting gets tied up with good books, such that the essay betrays its true desire—to be a meditation on reading. Before he catches himself and gets back on topic, Hemingway launches into a long parenthetical:
I would rather read again for the first time Anna KareninaFar Away and Long AgoBuddenbrooksWuthering HeightsMadame Bovary,War and PeaceA Sportsman’s SketchesThe Brothers Karamazov,Hail and FarewellHuckleberry FinnWinesburg, OhioLa Reine MargotLa Maison TellierLe Rouge et le NoireLa Chartreuse de ParmeDubliners, Yeat’s Autobiographies and a few others than have an assured income of a million dollars a year.
Is this hyperbole? Literary bluster? The genuine desire to encounter again “for the first time” the literature that transformed and widened his world? Maybe all of the above. Better to stay home and remember the greats—write about them and hope for a time when they’re new again—than to fill one’s time with mediocre and forgettable books. At least that seems to be his argument. And while I’m sure you have your own lists (feel free to add them to the comments section below!), some of you may wish to take a shot at Hemingway’s and savor those works that for him overshadowed nearly every other. To that end, we’ve compiled a list of the books he names, with links to online texts and audio, where available. Enjoy them for the first time, or read (and listen) to them once again. And remember that the texts are permanently housed in our collections of Free Book Audio Books andFree eBooks.
Anna Karenina by Leo Tolstoy (eBookAudio Book)
Far Away and Long Ago by W.H. Hudson (eBookAudio Book)
Buddenbrooks by Thomas Mann (eBook)
Wuthering Heights by Emily Brontë (eBookAudio Book)
Madame Bovary by Gustave Flaubert (eBookAudio Book)
War and Peace by Leo Tolstoy (eBookAudio Book)
A Sportsman’s Sketches by Ivan Turgenev (eBook)
The Brothers Karamazov by Fyodor Dostoevsky (eBookAudio Book)
Hail and Farewell by George Moore (eBook)
Adventures of Huckleberry Finn by Mark Twain (eBookAudio Book)
Winesburg, Ohio by Sherwood Anderson (eBookAudio)
Queen Margot by Alexandre Dumas (eBook)
La Maison Tellier by Guy de Maupassant (eBook)
The Red and the Black by Stendhal (eBookAudio Book)
La Chartreuse de Parme by Stendhal (eBook)
Dubliners by James Joyce (eBookAudio Book)
Reveries over Childhood and Youth by William Butler Yeats (eBook)
The Trembling of the Veil by William Butler Yeats (eBook)
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Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Reposted Here From "Literature" Open Culture, and the Ernest Hemingway FB Page

Wednesday, September 4, 2013

From The Independent -- The Latest on Hemingway's Favorite Spectator Sport

Will bullfighting survive in modern Spain?

Bullfighting and Spain have been synonymous for centuries. But with attendances severely down and one region voting for a ban, this is a sport in crisis. Evgeny Lebedev reports



view gallery VIEW GALLERY

Photographs by Nicolás Haro 
Within the stadium the crowd has gone quiet, the bull hunched in the middle of the sand-covered arena with blood trickling down its back and head dropped in exhaustion. For the past 15 minutes it has been chased and goaded and stabbed. With the shadows lengthening as the afternoon fades, this animal is now ready only for death.

The matador strides to stand in front of it, his hand raised high in triumph. A whistle comes from the stalls in response, a sound quickly picked up and replicated by other spectators. The stadium is a cacophony of noise – and none of it is cheers.
"They are angry," says Carlos Flores, sitting beside me. "They think the matador has played the bull badly, weakening it too quickly so as to deprive the contest of drama."
He is the son of one of Spain's pre-eminent bull breeders, and had invited me to watch the fight. When he first saw the bull, he warned it would most likely not be a fine one – too weak in its back legs. But it is the matador that he, too, blames for what we have witnessed.
At no point had he fully bent the bull to his will. It had not charged with fury. Its horns had not cleanly followed the twitching cloak. Too prematurely, it had been deeply bloodied, sapping it of strength. "Not good," Carlos says. "Not good at all."
Hearing the crowd's displeasure, the matador tries to end the contest with a flourish. He kneels down. He throws his arms up in the air. He leans his body a few inches above the outspread horns. All for nothing. There is barely a flicker from the bull in response.
Finally he sweeps his cloak so that it almost catches the animal's eye. That does prompt a reaction. The bull stumbles forward. The matador passes the point of his sword through the back of its neck and into its lungs. Twice the bull circles, drowning, before finally it falls. In response the crowd sighs its indifference.
Carlos is as uninterested as the rest when four horses, their driver cracking the ground beside them with a whip to drive the team forward, drag its corpse from the arena. He is already craning f his neck towards the entrance archway to catch a first glimpse of what will come next.
"Maybe this bull will fight," Carlos says. "The day will get better, I hope."
It is a sentiment that could be directed at not only this fiesta but at the state of bullfighting in Spain as a whole – indeed at the very state of Spain itself. For bullfighting, like Spain, is in trouble. Serious trouble.
While the past few years have seen Spain's economy tank, unemployment soar to 26 per cent and youth unemployment to 50 per cent, the sport that more than any other symbolises the country has fallen into its own crisis.
Attendances have fallen by 40 per cent in just five years. In 2008, some 3,295 corridas were held across the country. Last year, it was 1,997. This year, according to some reports, it will be fewer than 500.
Cash-strapped towns can no longer stage festivals involving bullfights or running of the bulls. Nor is paying €50 for a seat enticing, especially with the wealth of alternative entertainment – not least football – freely available on television.
Evgeny Lebedev at the bullring in SevilleEvgeny Lebedev at the bullring in Seville 
In response, Spanish matadors have gone to Latin America, particularly to Peru, seeking corridas. Bulls being bred for the ring – where they could have raised up to €20,000 each – are being sent to abattoirs for just €750 a head. Even some of the country's most famous arenas, among them the Plaza de Toros de Las Ventas in Madrid, have been accused of not paying bullfighters what they are owed.
To try to find out what has gone wrong, and what it means for the future of the sport and Spain's relationship to it, I travelled to the estate of El Palomar. Set within the sweeping vista of Albacete, the nearby hills gently rising towards the Alcaraz mountains on the horizon, this has been home to Carlos Flores's family for 200 years. They have made the estate one of Spain's most revered bull-breeding centres. Its 18th-century manor house even has its own private bullring.
The present owner is Samuel Flores, Carlos's father. He took over the estate, aged 19, on the death of his uncle. Now in his seventies, he is adamant that bullfighting has weathered crises before – not least when Republicans sought to ban it during the civil war for its seeming pro-Franco links – and will do so again.
He is dressed in the modern uniform of the Mediterranean gentry: a green flannel jacket with elbow patches, checked shirt and chinos. On the veranda of his home, uniformed waiters serve the family lunch. In the pasture beneath, bulls laze in the heat. The effect is one of timelessness; of a world unchanged despite present troubles.
"Bullfighting will have its better moments or its worse moments but it will keep on going," Flores predicts. "It's not only the big ferias in the big cities. It's also the bulls that they run in the streets, in the little villages. Bullfighting is never going to stop.
"What the sport needs is for the economy to improve. Once people have money again, the towns and villages will start hosting bullfights and its popularity will again flourish as it did through much of the past 30 years."
He points to the number of young people wanting to visit bull-breeding estates like his own, and to the number of wannabe matadors enrolling in bullfighting schools. To Flores, it is a clear sign of the passion for the sport among the young and proof that a fresh generation is coming through to take it forward.
This should not surprise anyone, he says, as the sport is "part of the culture of Spain". So could there be a Spain that exists without bullfighting? Flores gives a dismissive shake of his head. "The government wouldn't allow it."
In command: Padilla faces the bullIn command: Padilla faces the bull
Spain's present government certainly wouldn't. The prime minister, Mariano Rajoy, and his centre-right government plan to declare bullfighting part of Spain's "national patrimony" and Rajoy has promised to channel more money into the sport's promotion.
Such support, however, cannot be guaranteed for ever. Many of the present government's most vocal opponents are anti the sport, particularly in the increasingly independent-minded region of Catalonia. There, the government voted last July to ban bullfighting as outdated and cruel.
It was a vote which not only exposed the country's disagreements over bullfighting, but also its disagreements over the form of Spain itself. Many interpreted the result as being as much due to Catalonia wanting to emphasise its difference from the rest of the country, especially bullfight-mad Madrid, than anything to do with the debate over animal cruelty.
Anna Mula is the key figure in the antis' campaigning group Prou! [Enough!]. Dark and doughty, she is in her own way a revolutionary: one who helped organise 180,000 signatures to be gathered to force a parliamentary vote, and then used her background as a trained lawyer to assist in drafting the subsequent legislation.
When we meet, she is adamant that the Catalonia vote was nothing to do with politics and all about the idea that bullfighting should have no place in a civilised country. "To condone these public spectacles is to transmit the message that gratuitous violence can sometimes be tolerated, even applauded and admired," she tells me. "This brutalises the society that tolerates this violence."
It is a belief that she has held since her grandparents took her to her first bullfight when she was six years old. "I was crying and crying," she recalls. "I didn't understand why people didn't save the bull."
Having grown up in Russia, and having been plagued throughout my life by misinformed opinions expressed about my country and culture by those in the West, I am passionate that places and people should not be made to be like – or even judged by how much they are like – our own here in the UK, particularly when animals are involved. I have eaten and hunted too many and have seen the reality of our own food industry too clearly to resort to that sentimentality.
Yet, when I explain to Mula that I worry criticism of sports such as bullfighting by those in the West could too often be an attempt by one people to impose their standards on another, she is adamant bullfighting no longer reflects any mass culture in 21st-century Spain.
As evidence, she points to a recent Mori poll which showed only 26 per cent of the Spanish population now supports the sport and 76 per cent oppose the use of public funds to help it. "Supporters say bullfighting's traditional but a lot of traditions have been banned in the past," she says. "We have to keep only the traditions that society accepts."
Seville, with its bullring dating back to 1761, has long been considered bullfighting's spiritual home, and the city's annual, week-long Feria de Abril one of its blue riband events. During the festival, the city's plaza de toros is packed each day, while outside locals in traditional Spanish costumes parade in horse-drawn carriages. Here, if anywhere, I knew I would be able to see if the sport could still generate passion.
This year, the tournament's biggest draw was the matador Juan José Padilla. He is a legend in the bullfighting world after he was horrifically gored in 2011 – the bull's horn passing through his jaw and out his left eye – yet returned triumphantly to the ring just five months later, despite now having to wear an eye patch.
Juan José Padilla is a legend in the bullfighting worldJuan José Padilla is a legend in the bullfighting world
Padilla is Carlos Flores's friend so I met him shortly before he fought, and then travelled with him and his entourage to the arena. When we arrived, the matador's hotel suite was unbelievably hot; it is kept highf to keep his muscles loose and ready for the heat of the sun. The temperature had no visible effect on Padilla. While the rest of us were quickly reduced to wiping our brows, on Padilla I spotted not a drop of sweat.
His dresser was fitting him into the traditional satin suit of the torero, its pink cloth emblazoned with sequins and gold thread. He was already in his embroidered white shirt and short, black necktie. Now he was being squeezed into his trousers, the material skin-tight so no sag of material risked catching a passing horn. To do this, Padilla had to be physically lifted off the ground – sweat patches spread across his dresser's shirt as he made his efforts.
I quickly realised that for bullfighting aficionados, Padilla is like a rock star. A crowd waited for him in the hotel lobby and his retinue had to form a phalanx around him for protection as he was mobbed by fans. A small van then carried us the quarter mile to the ring. Crowds lined the streets, growing in size and sound as we drew closer.
All the way Padilla seemed barely to notice, fiddling instead with dozens of icons that hung as amulets from his wrist. "I give thanks to God," he explained when I asked him about it. "I ask him that my piety helps me return safely. When you know you've done everything you can to prepare, there's nothing more you can do. Everything else is in the hands of God."
When we were finally deposited on to the street outside the arena's main entrance, the pressure of the crowd was so great that it physically lifted us up and pushed us forward while the local Spanish police, their batons out, desperately sought to maintain control. It was a heady experience – part exhilarating, part terrifying – but one which made clear the adoration matadors can still elicit and gave the lie to the claim that they are in utter decline. No wonder then that, even in these difficult economic times, the most celebrated continue to be able to charge as much as half a million euros for a corrida.
Spanish culture has long fascinated me with its exterior of sunshine and siestas masking a dark and violent soul. I will never forget, years ago, first seeing the canvas of José de Ribera's Apollo Flaying Marsyas. Cruelty had been illuminated as beauty. The effect was utterly Iberian and utterly absorbing to behold. It is why I had been looking forward to the bullfight – indeed had wanted to enjoy it. Yet the spectacle of our arrival at the stadium only reinforced how much of what followed was a disappointment: the limp fight, the angry crowd, the desperate matador.
At one stage, one of the bullfighters took four or so attempts to get his sword through the right spot in the bull's back to kill it. I found myself depressed, bored even. Almost the only emotion I could muster was the sense that this was an unfair contest, and that if the matador himself were gored, the interests of both justice and entertainment would be far better served. Instead, this tedious affair was neither culture nor art – and certainly could not be called sport.
Centre stage: The most celebrated matadors continue to be able to charge as much as half a million euros for a corridaCentre stage: The most celebrated matadors continue to be able to charge as much as half a million euros for a corrida
Then, however, it was Padilla's turn to fight. He entered the arena to a fanfare of trumpets and, the sun now rapidly fading, the sequins and reflective thread of his outfit glistened in the floodlights that lit the arena. A matador's uniform is known as the traje de luces – the suit of lights. Seeing him, I understood why. Padilla's pink costume shone bright against the yellow sand, focusing 12 and a half thousand eyes on him. A reverential hush momentarily descended till the stadium band struck up a paso doble. Suddenly, there was a new atmosphere: one of expectation.
I cannot claim to have understood all the subtleties of what I now saw, but what was clear to even my untrained eye was that in his first fight, Padilla exhibited a skill not witnessed in the other contests. For a start he ensured this bull fought. It charged at a pace that reduced it almost to a blur; then followed Padilla's cape as the matador stood ramrod-straight and used its moving lure to direct 85-stone of muscle and bone.
At one point he led the bull in a series of turns, the animal's horns always passing barely a foot from his frame. Again and again it thundered past him until – bewildered – it was left standing silently only a few feet in front of him, immobile with confusion. Padilla turned his back on its horns to stand, hand on hip and left foot forward, to salute the crowd. That was greeted by a barrage of "Olés" as, somewhere in the crowd nearby, someone started shouting: "The guy is crazy. The guy is crazy".
This, I said to Carlos, was finally a bullfight. He nodded agreement. "Every move, every gesture, has its own meaning," he said. "What you are seeing has been developed over centuries."
When the end came it was quick and clean. One moment Padilla was in front of the bull, poised on tiptoe. Then he sprang, the blade went in, and the animal fell in a moment. The arena became a sea of white handkerchiefs being waved in the traditional gesture of appreciation. The sound of the paso doble again rang around the stalls as Padilla conducted his lap of honour.
That night, in the back alleys and big avenues of Seville, a party was held. Rows of marquee tents were put up to house the revellers, and great crowds moved from one to the next, seeing friends and being invited inside to enjoy food and alcohol. For one night, at least, it seemed as if the country's woes were forgotten. The talk was of bullfights and matadors, and what had been good and bad in the arena.
This sport will outlive Anna Mula and other campaigners, I kept thinking, as the assembled masses spilled over the streets like blood from the bull's heaving flanks. The matador was once again centre stage, accepted and adored.
Twitter.com: @mrevgenylebedev
The definitive guide on the state of modern-day bullfighting can be found at Into The Arena: The World Of The Spanish Bullfightby Alexander Fiske-Harrison (Profile Books, 2011). Link:http://www.intothearena.co.uk

Borrowed from a post in The Independent